Cox, Jessie. “Sounds of Space: Notes on Black/blackness and the Climate Crisis.” In Hidden Heartache, edited by Simone Keller. St. Gallen, Switzerland: Jungle Books, March 25, 2024. ORDER

Cox, Jessie. “Stories of the Mothership: Charles Uzor and Mothertongue.” In Composing While Black, edited by harald Kisiedu and George E. Lewis, pp. 114-129. Germany: Wolke-Verlag, 2023. https://www.wolke-verlag.de/musikbuecher/harald-kisiedu-george-lewis-composing-while-black.

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Cox, Jessie, and Isaac Jean-François. “Aesthetics of (Black) Breathing.” liquid blackness 6, no. 1 (2022): 98-117. Published by Duke University Press. https://doi.org/10.1215/26923874-9546582.

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Cox, Jessie. “Music For Tomorrow’s World.” New Music USA. Blog post. May 6th 2022. https://newmusicusa.org/nmbx/music-for-tomorrows-world.

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Baker, Elizabeth A., Jessie Cox, Joy Guidry, Yvette Janine Jackson, and Eric Lyon. “A Conversation on Racism and Computer Music.” array, 1 (2021): 50-63. https://doi.org/10.25370/array.v20213275.

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Cox, Jessie. “Das Drumset als Werkzeug Kreolisierter Welten.” Positionen: Texte zur Aktuellen Musik 3, 128 (2021): 70-79.

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Cox, Jessie. “Cecil Taylor’s Posthumanistic Musical Score.” American Music Review 50, no. 2 (July 2021). https://www.brooklyn.cuny.edu/web/academics/centers/hitchcock/publications/amr/v50-2/cox.php.

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Cox, Jessie, and Sam Yulsman. “Listening through Webs for/of Creole Improvisation: Weaving Music II as a Case Study.” Critical Studies in Improvisation/Études critiques en improvisation 14, no. 2-3 (2021): 1-13. https://doi.org/10.21083/csieci.v14i2.6585.

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Cox, Jessie. “Marshall Allen and the Creation of a New World.” Sound American 24 (2020). https://soundamerican.org/issues/sun-ra/marshall-allen-and-creation-new-world.

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Cox, Jessie. “Posthumanistic Organology: Problematizing Common Organological Taxonomies by Way of the AACM and the Heterogeneous Sound Ideal” Castle of our Skins. Blog Post. April 7th 2019. https://www.castleskins.org/biba-blog/posthumanistic-organology.