Solo and Duo Pieces
Cyborg-Drumset
and Violin
Alto Saxophone
Oboe
Bassoon
Bass
Cello
Clarinet
Nachklang (for Double Bass) (ca. 4 min.) (2018)
Story of I-Not (for Solo Cello) (ca.12 min.) (2018)
Drumset
Flute
Ensemble Pieces
Ensemble
String Quartet
The Retroactivity of Meaning (ca. 30 min.) (2018)
Art-Song
Choir
Of the Myth (ca. 4 min) (2016)
Jazz-Ensemble
Trumpet
/æʃ/ (for Bb-Trumpet) (ca. 5 min.) (2018)
The Life of Information (for 2 Violins) (ca. 20 min.) (2017)
Violin
Cello and Percussion
/Dʒs/ (ca. 8 min.) (2018)
Selected Works List
Orchestral/Large Scale/Multi-disciplinary
• As A Song Of A World (2018-2020)
Commissioned by Either/Or Ensemble and Jessie Cox
Opera for 9 performers
Premiere: October 24 2020
• The Weaving of Worlds (January 2020)
Commissioned by Columbia Composers
Studio-Premiere: Fonema Consort, November2020
• Stay Awake (August 2019) 30’
For Drumset, Horns, Electronics, and Dancers
Commissioned by Heidi Duckler Dance
Premiere: Martin Luther King Community Hospital, August 2019
• After-were(l)ds (2019) 6’
For Chamber Ensemble with Soprano
Commissioned by La Phil and Gustavo Dudamel
Premier: ICE-Ensemble and Steve Schick at LA Phil’s Noon to Midnight Festival, June 1st 2019
• Less than Nothing (2018) 20’
For Orchestra/large Chamber Ensemble
• Existence lies In-Between (August 2017) 20’
For Chamber Ensemble
Studio-premier: September 2019 in Boston
Premiere: Ensemble Modern November 8 2020 at Festival NOW! Essen
• Examination of Planet 473b (April 2017) 15’
For Chamber-Orchestra and Live Electronics (Max-Patch)
• Supernova (December 2016) 13’
For Orchestra
• Water (July 2016) 13’
For Chamber Ensemble
Chamber Works with Electronics
• Space Travel From Home (2020)
A tv Series
For Drumset, Electronics and Green Screen
Showings: Youtube, International Contemporary Ensemble Fall 2020
• The Masked Hole/Whole (July 2019) 20’
For Violin and “Cyborg”-Drumset
Commissioned by Pauline Kim Harris
Premiere: by Pauline Kim Harris and Jessie Cox at the Stone at the New School, NYC
• Reconsider Dissonance (July 2017) 20’
For Violin and Electronics (Max/MSP)
Premiere: by Matt Scutchfield and Jessie Cox August 2019 Berklee College of Music, Boston
• My History (December 2016) 6’
For Alto Sax. and Live Electronics (Max-Patch)
Premiere: by Nathan See and Jessie Cox January 2017 Berklee College of Music, Boston
• Dreamality (May 2016) 6’
For Flute and Electronics (Tape)
Premiere: by Eva Redamonti
• The Same but Different (April 2016) 10’
For Drumset and Electronics (Tape)
Premiere: Jessie Cox
Chamber Works
• Breathing (September 2020)
For Voice and Tape
Commissioned by Long Beach Opera
Premiere: November 15 2020
• Not-In-Between (September 2020)
For String Quartet
Commissioned by National Sawdust for JACK Quartet
Premiere: December 11 2020
• The Fiddle is for Diggin’ (August 2020)
For Solo Violin
Commissioned by Nicole Cherry
• Alien Stories (July 2020)
For Violin Duo
Commissioned by Carnegie Hill Midday Music Festival for String Noise
Premiere: August 24 2020
• Black as a Hack for Cyborgification (April 2020)
For Open Instrumentation
Commissioned by Pink Noise Ensemble
• Light-Dots on a Deep-Space-Image (March 2020)
For Quartertone Clarinet
Commissioned by Gregory Oakes
• Not-In-Between (August 2019) 7’
For Solo Guitar
Commissioned by Margins Guitar Collective
• Wereds (January 2019) 10’
For Solo Bass and Piccolo Flute
Commissioned by Margaret Lancaster
• Conscious Music (October 2018) 10’
For String Quartet
Commissioned by Columbia Composers
Premiere: JACK-Quartet, February 9th 2019 at DiMenna Center, NYC
• Time-Space (October 2018) 10’
For Bass Clarinet
Commissioned by Vasko Dukovski
Premiere: Vasko Dukovski, January 24th 2019 at Gallery MC, NYC
• Form Content Negotiations (May 2018) 7’
For Bassoon Solo
Premiere: Joey Guidry October 12th 2019 San Diego
• /Dʒs/ (February 2018) 8’
For Cello and Percussion
• Spiritus (January 2018) 6’
For Flute
Premiere: Robin Meiksins, August 28th 2018 with UnTwelve, Chicago
• The Life of Information (December 2017) 20’
For Violin Duo
Commissioned by String Noise
Premiere: String Noise, June 6th 2019 at Interpretations Series at Roulette, NYC
• Nothing Is (May 2017) 15’
For Oboe and Piano
premier: Barbara LaFitte and Jessie Cox, July 2017 at Berklee College of Music, Boston
• A Future Past (in Latin-America) (April 2017) 10’
For Solo Guitar
• Triangles, Squares, Lines are made of Points (February 2017) 4’
For Marimba and Violin
Commissioned by Boston Conservatory
premiered by Ruben Eduardo, Sophia Bellino, with dance performance by Shreya Navile
• Creation is Vibration (Meditation) (February 2017) 13’
For Oboe/Clarinet/Saxophone and Cello
premiered by Barbara LaFitte (Oboe) and Peter Lixiang
• What Dirt Can BE (December 2016) 6’
For E. Guitar and Accordeon
premiered by Promenade Sauvage
• Star Death (February 2017) 10’
For Violin, Cello, Piano
premiered by Kim Busic, Li Yin, Jessie Cox
• …inside… (February 2017) 3’
For Solo Harp
premiered by Austin Macasieb
• Nothing (December 2016)
For Contralto, Alto Sax., Violin, Cello, Drumset
• Earth (June 2016) 6’
For two Bassoons
premiered by Janet Underhill, Reuben Stern at ALEA III 2016
Jazz Ensemble
• Nu Creation (2017)
Premiere: Maher Beauroy’s An Lot Soleil at Martinique Jazz Festival 2017
• What I Am (July 2016)
premiered by Jessie Cox’s Art Note Ensemble
• ReMemberShip (December 2015)
premiered by Jessie Cox’s The Mind
• My Love is Music (July 2015)
premiered by Jessie Cox on Drums, Maher Beauroy on Piano, James Giannoni on E. Bass
• Sweet Wish (January 2015)
premiered by Jessie Cox on Drums, Maher Beauroy on Piano, Philip Chuah on E. Bass